This is one of the most beautiful films ever made. Shot in Rio De Janeiro during the Carnival of 1959, it’s a retelling of the Greek legend of Orpheus and Eurydice.
It’s so colorful and vibrant and filled with energy. It’s like being on an amazing holiday, but one that is marred by an epic love tragedy from which you will never recover. The leads, especially Marpessa Dawn, are hard to take your eyes away from, and if it feels like they are dancing their way through the whole thing, that’s because they are.
A parody of blaxplotation movies almost on par with Airplane in the accuracy of its subject matter and sheer density of gags.
Like Garth Marenghi’s Darkplace, it’s expertly poorly made on purpose, with actors looking at the camera and booms getting into shot. Michael Jai White definitely knows how to play an action lead, but I didn’t know he was so funny. His timing and delivery are impeccable. Definitely underrated.
The Black Hole
Disney’s famous attempt to cash in on the success of Star Wars. This is a truly weird film. It’s aiming to join the wave of spectacular blockbusters that defined the late Seventies and Eighties, but it’s stuck firmly in the old way of doing things.
It has the odd pace of something like The Forbidden Planet or Fantastic Voyage, too ponderous and formal after the breakneck pace of Star Wars, and the naturalism of Close Encounters of the Third Kind. The music is good, the robots are good, the cast is good, the concept is good. It doesn’t quite add up to the sum of its parts, but is still worth watching, especially for the freaky ending.
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